Pretty Soldier Sailor Moon,aka Bishōjo Senshi Sērā Mūn by Naoko Takeuchi (review)
Sailor Moon became a magical girl phenomenon worldwide, that in turn inspired many more magical girl series.
Bishōjo Senshi Sailor Moon is about a teenage school girl, Usagi Tsukino, who discovers that she is the reincarnation of the Princess from the Moon Kingdom which existed on the moon 10,000 years ago in what was called the Silver Millennium. She becomes the legendary hero, Sailor Moon, guided by a black cat named Luna and reunites with her fellow senshi. Bishōjo senshi means pretty soldier or warrior. The other senshi are also reincarnated Princesses and warriors from their own respected planets: Mercury, Venus, Mars, Jupiter, Neptune, Uranus, Saturn, and Pluto. Usagi’s love interest is Her love interest is Mamoru Chiba who is the hero Tuxedo Mask and the reborn Prince Endymion. That is just the first season.
Bishōjo Senshi Sailor Moon by Naoko Takeuchi, first published in a magazine titled Nakayoshi in 1992, is a manga that heavily reflects many aspects of Japanese culture to the outside world. Bishōjo Senshi Sailor Moon has a very successful publishing run:
At the end of 1995, thirteen paperback volumes compiled from the Sailor Moon series had sold nearly 1 million copies each; twenty volumes compiled from the animation series of Sailor Moon had sold around 300,000 each; and there were over ten types of video games on the market, each having sold between 200,000 and 300,000. In five years, total revenues from character merchandising exceeded ¥300 billion. By the end of 1995 the Sailor Moon manga books and the animation series had been exported to over twenty-three countries, including China, Brazil, Mexico, Australia, most of Europe, and North America. A truly global market had been opened up. (Schodt 95)
The manga is the original story. The Japanese anime followed quickly, and then came the North American dub anime.
The Japanese anime is divided into many seasons. There’s Bishōjo Senshi Sailor Moon, Bishōjo Senshi Sailor Moon R, Bishōjo Senshi Sailor Moon S, Bishōjo Senshi Sailor Moon SuperS, and Sailor StarS. The manga is divided into Sailor Moon, Sailor Moon S, Sailor Moon SuperS, and Sailor StarS. The first half of Bishōjo Senshi Sailor Moon R was never part of the manga story line, but added to the anime while Takeuchi was continuing work on the manga. The part created exclusively for the anime is the story of Ann and Ail. The Dark Moon Clan which appears in Bishōjo Senshi Sailor Moon R is part of the manga.
Bishōjo Senshi Sailor Moon is about a teenage school girl, Usagi Tsukino, who discovers that she is the reincarnation of the Princess from the Moon Kingdom which existed on the moon 10,000 years ago in what was called the Silver Millennium. She becomes the legendary hero, Sailor Moon, guided by a black cat named Luna and reunites with her fellow senshi. Bishōjo senshi means pretty soldier or warrior. The other senshi are also reincarnated Princesses and warriors from their own respected planets: Mercury, Venus, Mars, Jupiter, Neptune, Uranus, Saturn, and Pluto.
Websites
PrincessSerenity.net
This site has recently had a huge overhaul, making it a Sailor Moon social site in addition to a great resource for Sailor Moon images and media. There is also a great forum. This great site has been online for 10 years.
SmFanfiction.net
The largest Sailor Moon fanfiction archive still online today. I myself am an author under the pen name Sailor Draco. I also serve as part of the editing staff known as the SMFFQCC. It’s a subsite of PrincessSerenity.net.
Forbidden Sentiments
A mature Sailor Moon fanfiction archive that accepts hentai (adult) fanfiction. It’s a subsite of Lady-Otaku.net.
The Oracle
An online Sailor Moon encyclopedia. It’s everything you ever wanted to know and then some.
Manga Style
This site is a gallery full of scans from all the Sailor Moon artbooks. Images are high quality.
Sailor Music
An archive of music from the anime and live action series. The music is available in multiple formats.
Serenitatis
An Usagi and Mamoru image gallery that has been online since September 2007.
Moon Sticks
A fansite producing weekly Sailor Moon comic strips.
Moon Prism
The approved Sailor Moon anime and manga fanlisting.
Articles
Cornog, Martha and Timothy Perper. “Non-Western Sexuality Comes to the U.S.: A Crash Course in Manga and Anime for Sexologists.” Contemporary Sexuality Mar2005, Vol. 39 Issue 3, p1-6
Eisenstodt, Gale and Kerry Dolan. “Barbie gets ready to growl `hello Sailor’.” BRW 1/23/95, Vol. 17 Issue 2, p68
Spring, Gret. “`Sailor moon’ rises again in syndication.” Electronic Media 03/17/97, Vol. 16 Issue 12, p6
McCormick, Moira. “`Sailor moon’ takes a shine to cross-rebates.” Billboard 3/9/96, Vol. 108 Issue 10, p59
Neace, Melissa. “Reviews the book “Sailor moon,” by Naoko Takeuchi.” Library Media Connection Apr/May2005, Vol. 23 Issue 7, p53-53
“The next TV-to-toy phenom: Sailor Moon.” U.S. News & World Report; 2/27/95, Vol. 118 Issue 8, p16, 1/3p, 1 Color Photograph.
‘Sailor moon’ to shine in U.S.: Hit Japanese kids show Sailor moon will be adapted for a U.S. audience by animator DIC Productions and syndicated by new distributor SeaGull Entertainment. The Japanese animation will be retained, with new main titles, bumpers, wraparounds and audio track. Broadcasting & cable. 124, no. 47, (November 21, 1994): 34
Eisenstodt, Gale and Kerry A. Dolan. “Watch Out, Barbie.” Forbes 1/2/95, Vol. 155 Issue 1, p58-60
K.T. “A matter of great imports.” Entertainment Weekly 10/13/95, Issue 296, p89
Silver, Marc. “Geared for Girls.” U.S. News & World Report 10/30/95, Vol. 119 Issue 17, p22
“DIC, Bandai target girls market with show, products.” Brandweek 1/9/95, Vol. 36 Issue 2, p5
Allison, Anne. “A Challenge to Hollywood? Japanese Character Goods Hit the US.” Japanese Studies May2000, Vol. 20 Issue 1, p67
Benezra, Karen and Jamie Hogan. “Toy Unfair.” Brandweek 2/13/95, Vol. 36 Issue 7, p20
Raugust, Karen. “DIC’s new independence refreshes company’s licensing efforts. Animation Magazine v. 15 no1 (January 2001) p. 17-18
Pollack, Andrew. “Sega to Acquire Bandai, Creating Toy-Video Giant.” New York Times 1/24/1997, p1
“Girls in Cartoons: Japan’s Pioneers.” New York Times 9/24/2000, p4
Cameron, Amy. “From Maggie Muggins to Mambo matriarch.” Maclean’s 2/17/2003, Vol. 116 Issue 7, p45
Saperstein, Patricia. “Kids warm to new crop of Japanese toons.” Variety v. 377 no9 (January 17-23 2000) p. N22
Considine, J.D. “TELEVISION/RADIO; Making Anime A Little Safer For Americans.” New York Times 1/20/2002, p33
Tomita, Shohei. “Real vs. not real: Children’s understanding of fantasy characters.” Japanese Journal of
Developmental Psychology Aug, 2002 Vol 13(2) 122-135
Williams, Christine. “Review of ‘Millennial monsters: Japanese toys and the global imagination’.” American Journal of Sociology Mar, 2009 Vol 114(5) 1562-1564
Talbot, Margaret. “The Year in Ideas; Pokemon Hegemon.” New York Times Magazine 12/15/2002, p112
Barber, John F. “Anime Explosion : The What? Why? & Wow! of Japanese Animation (review).” Volume 40, Number 4, August 2007
Allison, Anne. “The Japan Fad in Global Youth Culture and Millennial Capitalism.” Citation: Mechademia
1 Year: 2006
Cornog, Martha and Timothy Perper. “The Education of Desire : Futari etchi and the Globalization of Sexual Tolerance.” Citation: Mechademia 2 Year: 2007